Alex Binnie

BIOGRAPHY
EXHIBITIONS
As Alex suggests 'As artists we are always asking “what shall I DO” How should I express my thoughts and ideas? One crucial factor is the chosen medium. Music, Paint ,Performance, Writing, Fashion. “The Medium is the Message”
All are valid (and many more) - we make that choice, and that choice is possibly one of the biggest things we have to “say”.
Many years ago, after art school, living and socializing with a diverse bunch of artists I chose tattooing as my main medium. At the time it seemed very out there, and that was partly the point. To shock.
(look how that turned out, not so shocking now)
I tattooed as a reaction to the fine art world - ART (and the artist) on a pedestal, to be worshiped, bought and sold as a commodity.
Then I made prints for many years, that too as a reaction against the “sacred original”
The work here is in part a homage to the “unknown craftsman” - I chose simple techniques used decoratively on found objects. Ancient and utilitarian, methods used for thousands of years - sitting quietly, absorbed in the moment.
Art and life as one.'
Alex has now retired from tattooing and is working with the community around him and on other projects. He has started to teach and lead people through their art projects, as well as teaching yoga at a studio in his home town. He continues to work on his private art practice from his home studio, which looks out over his stunning garden.
As we sit, I ask him if he misses tattooing. “No,” he says. “I have other things to do.”
The tattooing scene has changed a lot since he began working in this art form in the 1980s. He is responsible for some of the development of the scene, and his influence within it can be read about in the countless books and articles that cover this period of growth within the world of tattooing.
I asked him what his next projects are. “I want to work in the garden.”
No doubt it will be amazing.
Raking Lights Project Gallery, L.A. - 2023
Atelier Summer show, Brighton – 2021/22
National Maritime Museum, Falmouth, Cornwall - 2017
Tattoo, Museum of London - 2016
Tattooists/Tattooed, Museé du Quai Branly, Paris - 2014-15
Time, tattoo art today, Somerset house, London – 2014
Body Electric, Ricco Maresca Gallery New York – 2014
Epidermiques, Lille, France – 2013
The Woodcut portraits, Kintaro press – 2012
Amsterdam tattoo museum, Amsterdam - 2012
Forever – The new tattoo, Gestalten, 2012
Last Tuesday society, London - 2011
Aomori print triennial, Japan - 2010
Royal Academy summer show, London – 2010
Horse Hospital, London – 2001 and 2007
Drawing center, New York – 1995
La Luz de Jesus, Los Angeles – 1992
SELECTED PUBLICATIONS
TTT Tattoo, Lawrence King – 2018
London tattoo guide, Hardie Grant – 2017
100 years of tattoo, Laurence King – 2015
World Atlas of Tattoo – Thames and Hudson - 2015
Body Art, Thames and Hudson – 2014
The Woodcut portraits, Kintaro press – 2012
Forever – The new tattoo, Gestalten, 2012
Tattoo Parlour, Outre press – 2011
Tattoo – bodies, art and exchange in the pacific and the west, Reaktion books – 2005
Written on the body, Reaktion books – 2000
1000 Tattoos, Taschen – 1996
Pierced Hearts and True Love, Drawing Center – 1995
Skin shows, Virgin – 1993
Tattootime, HardyMarks - 1991
AVAILABLE WORK
We sometimes have other available works by Treubhan, or can accept commissions. Please get in touch if you want to know more.
SOLD WORK
LIBRARY












